“[Helen White's] obsession is of the text as human object. Her pieces often include human bodies and interactions with texts, some evidence of the physical human presence. She understands the power of text as a human creation but also how the text is so completely human that it takes on human characteristics, that it has significance only in human contexts.”
(Geof Huth: 'Obsession and the visual poet' in Last Vispo, Fantagraphics, 2012)
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