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the continuing transubstantiation of Stéphane Mallarmé / Donato Mancini

on March 27, 2020

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Octothorpe 17, Octothorpe 19, Octothorpe Alphabet

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ISSUE#7 TABLE OF CONTENTS

CHAPTER 1 THE LAST WOLF IN ENGLAND: A MANIFESTO An Explanation by Jeffrey Robinson Responses to Jeffrey Robinson's Romantic Manifestos Manifest : RESPONDEES Noviada Angkasapura , Erica Baum , Susan Bee & Charles Bernstein , derek beaulieu , Nick Blinko , Liz Collini , Felipe Cussen , Allen Fisher , Susan Howe , Patricia Farrell , Simon Patterson , Rachel Blau Du Plessis , Jessica Pujol Duran , Mehrdad Rashidi , Kay Rosen, Jon Sarkin , George Widener , Cecilia Vicuña, Cerith Wyn Evans, George Quasha [NB Some respondee pages in progress] Last Wolf, a thought-diary by Philip Davenport /images Liz Collini Manifest: NEXT [a kind of OUTRO] by Jeffrey Robinson CHAPTER 2 WRITTEN ON BONE Visual telepathy & glitch: Michael Jacobson and Kristine Snodgrass by Menard Tanner Symphonie Bleu: Women in Lettrism, by David Seaman Bern Porter, borderblur & otherstreams by karl kempton Bob Grumman: A SUM by karl kempton Bob Grumman, WOW by Michael Basinski, John M. Bennett, J...

ISSUE#7. THE LAST WOLF IN ENGLAND: a manifesto [RESPONSES to Jeffrey Robinson's Romantic Manifestos Manifest]

THE LAST WOLF IN ENGLAND: a manifesto Responses to Jeffrey Robinson's Romantic Manifestos Manifest 3 x WOLFISMS Mercure or Hilton? There’s room in every doorway. The wolf going on, going far, returning from eternity, remains nowhere. If you stay out of the way the English leave you alone but they’re busy-bodies & if you’re dangerous, they’ll send marksmen with bows of burning gold. (Davenport & others 2022-24) ABOVE Untitled, Jon Sarkin Ink on card Image courtesy Henry Boxer Gallery This issue of Synapse International is dedicated to Jerome Rothenberg 1931-2024 The first chapter of Synapse ISSUE#7 is a manifesto sequence that speaks to outsider-dom and the living, radical edge of Romanticism. Our title is from The Last Wolf in England poems, which Phil Davenport co-created with people experiencing homelessness in North West England, invoking the wolf at the door. These pieces fold out into a larger landscape: Jeffrey Robinson's re-radicalised Romantic M...

SYNAPSE ESSAY THE NINTH: The Enigma of / Henri-Martin Barzun / by karl kempton

The Enigma of / Henri-Martin Barzun is that he is and remains an enigma. An enigma inhabiting, as a shadowy figure, if at all, visual text history. Despite his acknowledged status in avant-garde Paris, despite being written about in English and American poetry magazines before WWI. His works appeared in journals and anthologies after WWI into the 1950s — he's everywhere I look and yet he is somehow without trace. He exists as he exits — called upon by name, but rarely meaningfully discussed. What we witness from Barzun is a scale of visual poetry composed by typewriter (or typographic) neither reached for nor achieved by anyone I know of, to date. His epic L ’ Orhéide is a visual kinetic work full of, “choruses, dialog, songs and unisons; also soliloquies, fragments of prose, pure sounds and even noises (from his son, discussed later, who typed it).” Nor is there another original visual poetry /lyrical narrative epic of comparable scale. Large scal...

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